It looks like the disruptor doesn't like being disrupted. While Jannard is taking years to get Scarlet right, his "worse is better" competitors Canon, Nikon, and Panasonic are eating his market out from under him.
Rockwell is weird. Nobody in Indie production uses autoficus because even on pro camcorders like Vatican's it looks awful for most narrative work.
You do not need 45 people to do good, controlled work with a DSLR (or a film camera). 3-4 skilled folks are sufficient crew for most non-ensemble work.
ken rockwell is a photographer and has no credits in video production
Amateurs can get a Panasonic GH1 with the 14-140mm lens. This lens is optimized for video work and will autofocus, with a performance on par with regular video cameras.
You have to take his writing with a grain of salt.
Sorry to weigh in like this, but both sides are equally right/wrong and stupid. Cameras are just like programming languages, just tools. Some cameras are great for one thing, while they suck for another thing. You make decision based of your shot list you have to make, plan for lights accordingly and thats it. Whining and "one tool to rule them all" doesn't help when job is about to be done.
One thing I've noticed though with smaller "toy sized" cameras is that actors don't like them. Yes. At least most of them (especially ones without stage experience). They tend to use camera bulk as a viewing audience, and I found an easy and cheap way to fix this. Just slap a huge matte box on camera and that's it. Psychology is a funny thing.
Look at the chest area of the guy wearing a striped shirt to the right of girl in shorts. You'll notice the stripes look weird and are morphing. It's referred to as aliasing as well.
Not a cannon, but i'm really excited to get my Panasonic GH1 on Monday. Its incredible to be able to afford a device with this much potential. First test will be in Costa Rica when I fly out there with my girl friend on Wednesday!
No...someone with a very good product which they have been promising will become the New Industry Standard did not make fun of, but rather trashed the professionalism of everyone who is getting stuff done with alternative products that are technically somewhat inferior but also much cheaper and more accessible.
It's a seismic shift in the video industry, comparable to the shift away from mainframes to COTS.
[+] [-] wmf|16 years ago|reply
Here's Jannard's original rant: http://reduser.net/forum/showpost.php?p=615431&postcount...
Commentary from a prominent DSLR cinematographer: http://blog.vincentlaforet.com/2010/06/17/hddslr-vs-red-has-...
A technical discussion about "line skipping" vs. "binning" (averaging): http://luminous-landscape.com/forum/index.php?showtopic=3871...
[+] [-] freescale|16 years ago|reply
http://www.kenrockwell.com/canon/5d-mk-ii/video.htm
[+] [-] anigbrowl|16 years ago|reply
You do not need 45 people to do good, controlled work with a DSLR (or a film camera). 3-4 skilled folks are sufficient crew for most non-ensemble work.
[+] [-] mtw|16 years ago|reply
Amateurs can get a Panasonic GH1 with the 14-140mm lens. This lens is optimized for video work and will autofocus, with a performance on par with regular video cameras.
You have to take his writing with a grain of salt.
[+] [-] Keyframe|16 years ago|reply
One thing I've noticed though with smaller "toy sized" cameras is that actors don't like them. Yes. At least most of them (especially ones without stage experience). They tend to use camera bulk as a viewing audience, and I found an easy and cheap way to fix this. Just slap a huge matte box on camera and that's it. Psychology is a funny thing.
[+] [-] omouse|16 years ago|reply
[+] [-] zweben|16 years ago|reply
[+] [-] zokier|16 years ago|reply
[+] [-] merrick33|16 years ago|reply
http://vimeo.com/8186279.
Look at the chest area of the guy wearing a striped shirt to the right of girl in shorts. You'll notice the stripes look weird and are morphing. It's referred to as aliasing as well.
[+] [-] ethan|16 years ago|reply
[+] [-] clistctrl|16 years ago|reply
(http://www.amazon.com/Panasonic-DMC-GH1-12-1MP-Thirds-Interc...)
[+] [-] jrockway|16 years ago|reply
Who cares?
[+] [-] anigbrowl|16 years ago|reply
It's a seismic shift in the video industry, comparable to the shift away from mainframes to COTS.