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kokokokoko | 7 years ago
"Drawing from the right side of the brain" is basically just a brain hack to allow a person to essentially trace what is in front of them. To some people that might be the goal. To make a reasonably accurate copy of what is in front of them. For others they may want to be able to draw an accurate picture of something from their head. Others may want to create wild stylistic abstractions. The original post referenced impressionism. In that case a more informed knowledge of color and composition might be more helpful.
Personally, as someone who has spent my entire life drawing(and a chunk of it painting) I cringe at that advice to learn from that book. I have read it and it will definitely help someone to render and accurate version of a photograph or object in front of them. But it really boils down to a shortcut as opposed to fundamental learning. Its like teaching math with just a series of steps to get the answer without teaching the underlying fundamentals of what is happening. In the short term you'll test well, but in the long term your growth will be stunted if you do not also learn the concepts involved.
Hope that is a bit more clarification. And with all that said, for some people that book might be wonderful. I do think it is well written and I did enjoy it and I imagine others will as well. Its a fun read and set of exercises. Just wanted to give you a bit more perspective on the opinions presented.
With that said, the general advice given in what you are replying to is way over the top. No one needs to spend 6 months drawing cones in space. That smells like your typical exaggerated internet advice that tends to prevent people from taking the first steps.
Smithalicious|7 years ago
I really don't agree with this sentiment mostly due to the way it is voiced. Yes, the core of "drawing on the right side of the brain" is learning to see objectively and draw what you see. I wouldn't call that a "brain hack" or say that is "essentially tracing" what's in front of them (since "tracing" is kind of a dirty word in art context). Even if it were, that by itself is a very valuable thing to a lot of people, since a lot of styles of drawing and painting boil down to essentially just that, whether it's drawings of nature, portraits, or still lives.
I would say that learning to see is a fundamental drawing skill and this book teaches you valuable things by forcing you to stop and consider what things actually look like.
Of course, that by itself isn't sufficient, but it doesn't need to be. Nobody is suggesting that someone use this book as their only resource. But I do think it's a good introductory book for people who have very little to no experience drawing.
Steel_Phoenix|7 years ago
criddell|7 years ago
PereDamienOmen|7 years ago