BandCamp has been my primary source for indie music of all genres. It's great to see Radiohead using this platform to share their work.
One example of a label I would have never known about is Daptone Records, from NYC. The Budos Band, Sharon Jones, the Frightnrs and many more great artists have produced really great albums with this label. Sharon died in 2016 but will live on through her work as an artist and through the label she made as long as platforms such as BandCamp support it.
Radiohead was quite prolific around this period. The release of OKNOTOK (and the bootlegs before it) show the band had a bunch of good material that didn’t make it to OK Computer. And now here we are 20+ years later releasing (or hacking) more material.
On a side note, I miss MiniDisk — It was somewhat of the pinnacle of mixtapes with best of all worlds. Tangible, digital, compact, non-destructive and joyfully tedious to create.
While they are certainly in a rare position to do this, and public story from their side sounds a bit worse on the leaker, I still have to commend their approach to it.
Just like I had to get their first album they sold online for pay-as-much-you-want to show music labels the finger (even though I am not a huge fan of their music, I am a huge fan of showing the finger to conglomerates that seem to forget their founding roles).
Sure, that was a move out of privilege too, but not many in that position have done it anyway, so kudos to them.
That was revolutionary for me. I was a poor kid at the time, but a huge fan—so I was able to pay very little at the time to hear it. I was able to buy it again later at a fair price.
Fascinating way of gaining the upper hand on your opponents (the "hackers" in this case). Best of all, the proceeds go to charity. Thank you, blackmailers.
Reminds me of what Bezos did when some dickheads at National Enquirer decided to blackmail him with disclosing personal data [1]
TLDR: This dump proves the Radiohead purposely scrapped a song (Lift) that was going to be a hit single because they wanted to change direction with OK computer.
As a huge radiohead fan, the interesting thing about this dump is that the version of Lift (disk 15 starting at 9:30, but can also be found in other places in the dump) is totally mastered and ready to go on the album.
Fans heard this live a long time ago, but when they released the first recorded version on Lift the b-sides of the Ok Computer 2017, it sounds much slower.
The band stated that they recorded and mastered Lift in 1997, but they knew it would be a huge hit single and they didnt want that for OK computer so they scrapped the whole thing. No one understood this until now.
Other highlights discovered in the dump:
- Karma Police with different lyrics
- Longer version of paranoid android
- Exit Music and True Love Waits used to be the SAME song
Nah, they'll leave him High and Dry. No Surprises, it was top story in The Daily Mail[1] today. Seriously what a Creep. He must feel really Idioteqe now, wondering How to Disappear Completely. It'll be a Reckoner, Full Stop.
Wow, this will spark a lot of "amateur" remixes and bootlegs. Nowadays music technology is very accessible to anyone who's willing to put in some time.
One would think so, but if you look at the amount of available multitracks vs actual fan remixes made with those multitracks... it doesn't seem like people are very interested in making new mixes of old material.
After reading this I couldn't help but remember an interview with John Lennon and Yoko Ono (on the BBC world service in 1980) where John was talking about Phil Spector calling him up after a recording session saying:
whispering over the phone "John....I've got the tapes...I've got the tapes, but there are helicopters flying around my house"
It took them a while to get them back from the guy.
Nothing appears to have been hacked. Radiohead sent a bunch of their old minidisc off to be digitized and someone at the company doing the digitizing appears to just have made a copy of the files for themselves. What we don't know is if that was the person that also released the files or if they handed them off to someone else who then released them.
I don't really get it. How can a "leaker" have any leverage at all? The type of person that will stumble on a leak wasn't a customer in the first place.
If this "hacker" really wanted something lucrative (or possibly fame), they would find a way to procure Wu-Tang Clan's "Once Upon A Time In Shaolin" - the double album they released a single copy of that was bought by Martin Shkreli. According to Wikipedia, it's the most valuable album of all time.
Assuming you're ironic - do you really think Radiohead needs elaborate ruse to release their junk tapes? I had the feeling they're doing fine in their own trippy world. (RH fan, btw)
My understanding is the Magneto-Optical properties of mini-disc are quite archival. Having retired my box of minidiscs last year, the ones I tried all still played.
The quality was very good, (Could not tell the difference from the CD, Sony optimized compression for quality, thinking people cared about it..then 128kbps mp3s showed up). And discs always beat tapes for convenience...
Doubtful. They are giving all the proceeds to Extinction Rebellion, only selling it for 18 days, and in the past they've sold albums as "pay what you want". This is typical Radiohead.
I can confidently believe that this album was never meant for ‘real’ release and therefore that this is not a stunt.
While the archive has some gems and recordings that many in the Radiohead fan community have heard whisper of but certainly never thought they would hear - it also contains some very rough recordings, some poor playing and singing and some pieces that I’m sure the band find embarrassing and would never choose to release themselves unless forced into a corner like this.
[+] [-] strictnein|6 years ago|reply
Pitchfork does a good job of following up on the second version, which may be the more accurate of the two:
https://pitchfork.com/thepitch/radiohead-fans-vs-black-marke...
https://docs.google.com/document/d/1kA8u6UhjbutZ-b7TXzmX4qkO...
[+] [-] alien1993|6 years ago|reply
https://www.instagram.com/p/BykT-NOA6_m/?igshid=6nm3aw87qo8d
[+] [-] SmellyGeekBoy|6 years ago|reply
[+] [-] huis|6 years ago|reply
I don't think they would say this if a hacker was holding it back for ransom.
So the hacker tried to sell it for $150000 but now everyone can buy it for $18.
[+] [-] sosuke|6 years ago|reply
https://i.imgur.com/6Jo3Q7h.png
[+] [-] StavrosK|6 years ago|reply
[+] [-] tomglynch|6 years ago|reply
[+] [-] perfunctory|6 years ago|reply
[+] [-] iamben|6 years ago|reply
The (very good) version of 'Lift' that most articles are mentioning is on https://radiohead.bandcamp.com/track/md125 and starts at 10:13.
[+] [-] Dowwie|6 years ago|reply
One example of a label I would have never known about is Daptone Records, from NYC. The Budos Band, Sharon Jones, the Frightnrs and many more great artists have produced really great albums with this label. Sharon died in 2016 but will live on through her work as an artist and through the label she made as long as platforms such as BandCamp support it.
[+] [-] ErikAugust|6 years ago|reply
[+] [-] DyslexicAtheist|6 years ago|reply
How Radiohead Writes A Chord Progression: https://www.youtube.com/watch?v=alt9sQepob4
Radiohead and the Rhythmic Illusion https://www.youtube.com/watch?v=kBNvPb331SQ
How Radiohead use Modes https://www.youtube.com/watch?v=CEi9ecBRR_4
How Radiohead use Time Signatures https://www.youtube.com/watch?v=76q5wv7kMEg
[+] [-] marban|6 years ago|reply
[+] [-] guggle|6 years ago|reply
[+] [-] necovek|6 years ago|reply
Just like I had to get their first album they sold online for pay-as-much-you-want to show music labels the finger (even though I am not a huge fan of their music, I am a huge fan of showing the finger to conglomerates that seem to forget their founding roles).
Sure, that was a move out of privilege too, but not many in that position have done it anyway, so kudos to them.
[+] [-] 52-6F-62|6 years ago|reply
[+] [-] vmurthy|6 years ago|reply
1: https://medium.com/@jeffreypbezos/no-thank-you-mr-pecker-146...
[+] [-] analogmemory|6 years ago|reply
[+] [-] ralphstodomingo|6 years ago|reply
[+] [-] vorticalbox|6 years ago|reply
It's pure profit, what is nice to see is that they are giving the profit to charity. Now that's really not something everyone would do.
[+] [-] misiti3780|6 years ago|reply
As a huge radiohead fan, the interesting thing about this dump is that the version of Lift (disk 15 starting at 9:30, but can also be found in other places in the dump) is totally mastered and ready to go on the album.
Fans heard this live a long time ago, but when they released the first recorded version on Lift the b-sides of the Ok Computer 2017, it sounds much slower.
The band stated that they recorded and mastered Lift in 1997, but they knew it would be a huge hit single and they didnt want that for OK computer so they scrapped the whole thing. No one understood this until now.
Other highlights discovered in the dump:
- Karma Police with different lyrics
- Longer version of paranoid android
- Exit Music and True Love Waits used to be the SAME song
[+] [-] farmerbb|6 years ago|reply
[+] [-] tclancy|6 years ago|reply
[+] [-] taneq|6 years ago|reply
[+] [-] DyslexicAtheist|6 years ago|reply
[1] https://www.dailymail.co.uk/news/article-7129011/Radiohead-r...
[+] [-] kowdermeister|6 years ago|reply
[+] [-] pcf|6 years ago|reply
[+] [-] SuperNinjaCat|6 years ago|reply
whispering over the phone "John....I've got the tapes...I've got the tapes, but there are helicopters flying around my house"
It took them a while to get them back from the guy.
[+] [-] cm2187|6 years ago|reply
[+] [-] dagw|6 years ago|reply
[+] [-] imtringued|6 years ago|reply
[+] [-] FillardMillmore|6 years ago|reply
https://en.wikipedia.org/wiki/Once_Upon_a_Time_in_Shaolin
I won't lie, I'd be quite interested to hear it.
[+] [-] jamesb93|6 years ago|reply
[+] [-] code_scrapping|6 years ago|reply
[+] [-] newaccoutnas|6 years ago|reply
[+] [-] celticninja|6 years ago|reply
[+] [-] acomjean|6 years ago|reply
The quality was very good, (Could not tell the difference from the CD, Sony optimized compression for quality, thinking people cared about it..then 128kbps mp3s showed up). And discs always beat tapes for convenience...
[+] [-] toyg|6 years ago|reply
[+] [-] unknown|6 years ago|reply
[deleted]
[+] [-] darkpuma|6 years ago|reply
[+] [-] sleavey|6 years ago|reply
[+] [-] coffeedoughnuts|6 years ago|reply
While the archive has some gems and recordings that many in the Radiohead fan community have heard whisper of but certainly never thought they would hear - it also contains some very rough recordings, some poor playing and singing and some pieces that I’m sure the band find embarrassing and would never choose to release themselves unless forced into a corner like this.
[+] [-] cstrat|6 years ago|reply
[+] [-] avip|6 years ago|reply
[+] [-] hoolm|6 years ago|reply