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companycalls | 5 years ago
The main thing that pushed me through, and still motivates me, is that now I know the language and the reasons for the 'wrong' parts in my drawing. Now when I draw a figure I catch myself thinking 'These legs look weird because I didn't pay attention to the calf muscles and now my figure looks completely out of proportion' or 'My initial gesture drawing was rigid and as a result my figure looks static, with none of the weight being balanced'. For me I can see myself get better, but a lot of the 'Ah-ha!' moments actually come from realising where I've gone wrong and what I need to look at next to make sure I can do better next time.
As an aside, a huge bonus with this sort of thinking is an renewed interest and appreciation for artists you like, I catch myself looking at the work of guys like Charles Dana Gibson and marvelling at their control over light and shadow, or the expressions they're able to conjure with a few lines. It's an intensely rewarding experience. I'd really recommend grabbing a pencil and just going for it.
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