[derivativethrow]

> I could have done that, but I didn't - because I'm not sufficiently full of shit.

It sounds like you're disparaging the art (and in fact the artists for producing it) because you think it's not sufficiently technically difficult. It also sounds like you believe the artists are trying to present it as more than it is. But tell me if I've misunderstood you.

This is a very antagonistic attitude. You're approaching art with an adversarial mindset that only recognizes it if it's something nontrivial. I don't think anyone is trying to bullshit you - art is just subjective.

For many people, what's more important than the competence is the originality. Not even necessarily the originality of the thing itself, but of the meta surrounding it. In that sense, plain white canvas in a museum is actually pretty original. It's certainly less derivative than a lot of the highly competent also-rans who painted the same scenes in the same (highly proficient) styles in the same time period. Moreover, it made you think. You didn't have a positive reaction to it, but then (as any artist would tell you) art doesn't restrict itself to positivity :)

Now with that in mind, let's circle back to your other statement:

> You're supposed to have some kind of ability and that ability shouldn't have to be defended by pointless platitudes.

It seems like they do have an ability, it's just not an ability you respect because your definition of art is more narrow than theirs. And that's okay! No one is forced to deeply appreciate all forms of art. But the way you're disparaging this kind of modern art is a perfect example of the middlebrow dismissal that's already been brought up in this thread.

People are not full of shit just because you don't appreciate the (highly subjective) things they do. The triviality of many modern art pieces is part of a broader context which your criticism completely fails to capture.

[arexxbifs]

> because you think it's not sufficiently technically difficult

Yes and no. I can find beauty in - or otherwise appreciate - simplistic creations as well. For example, a lot of contemporary photography is very little about technical skills and very much about selection, timing, subject and setting. I can find that highly engaging. But yes, there has got to be some thought behind it other than that it's supposedly "unique".

> Moreover, it made you think.

Lots of things make me think. I believe this is a simultaneously pretentious and simplistic approach to defining art.

> meta (...) original (...) derivative

What about beautiful? Emotional? Timeless and with lasting meaning? The kind of meta-art "commenting" on what art is or trying be "unique" that seems to make up the bulk of today's production is more than a century old by now.

> bullshit

Quoting this last because this is the core of my reasoning. The majority of the contemporary art world has long since lost any kind of connection to what's worthwhile, beautiful, thoughtful, insightful or interesting. It's a massive bullshit machine, propped up by nothing but a lot of pseudo-intellectual meta-reasoning about made-up abstract concepts commenting on themselves.

Many are provoked and angered by people getting famous for participating in reality shows or exposing their lives on Instagram. I can find the concept absurd, but it doesn't bother me as such. It's easy to ignore and if they can monetize their fame, good for them. That's between them and their audience.

As soon as something is considered art, on the other hand, it's considered to be of such significance that it warrants not only recognition, but also for example public funding, the interest of academia and a self-evident spot in any public place. It demands to be taken seriously, and people in positions of power will comply, no matter how inane it is. It's the naked emperor, if you will: it permeates society in ways that are systemically upheld by people who, when asked the question, probably couldn't explain what's actually good or beautiful or interesting about it, yet I'm expected to accept it at face value. For every blank canvas exhibited, there is one carrying true beauty that is left ignored. That bothers me copiously, however much I wish it didn't.

[WalterBright]

> In that sense, plain white canvas in a museum is actually pretty original.

Is it? I have a plain white canvas sitting in the garage. Maybe I should charge admission? :-)