[hnruss]

I played in some local bands for fun years ago and went on some self-funded tours. I also booked and promoted shows (mostly for my own bands). The way that we got most of our gigs was through networking with other bands, bookers, promoters, etc. After we got to be well-known, bands from out of town contacted us for help with local gigs, and we’d book it with a friendly local venue and promote it ourselves. It was a lot of effort, but it was a really good time.

There are an endless number of bands like that. They don’t need a bounty, they are going to go on tours regardless. What they do need is a good local band that they can open for and a good venue to play at. After a few tours to the same cities, maybe they can headline.

Booking a tour is a royal pain. Every venue has a different contact system and different requirements for how to get booked, and you have to book it 6 months to a year in advance. If you don’t play your cards just right, you do not get booked— or worse, you get booked with a band that doesn’t show up and without promotion. Honestly, the best shows are house parties anyways.

[corkinn]

Hey thanks for the feedback! I've been in this boat as well as a touring performer myself.

Bands may book tours regardless of the "bounty", but you could apply this same method on top of using RoadPony. Only now, you would have a better idea of how many people you and the local band you booked could bring out and if those people are interested enough in seeing you, they'll place that bounty, which you will collect.

Now that you've applied your method using RoadPony as a tool, you know you'll be getting this revenue and about how many fans will show up before you even book the show.

Open to any thoughts on this!

[hnruss]

If RoadPony can find a niche in the crowdfunding market, I think it could work. Give bands some benefits or features that existing crowdfunding platforms don’t, and they’ll use it.