> He took the metro into town, changed clothes in a park next to the gallery and waited until the museum’s 9 p.m. closing time, before finding a balcony with unsecured doors. When he moved a door and a beep sounded, he said, he reconsidered his course of action ... "That's when I decided that annoying the security guard was the best way to do the theft, by making him believe that there was a technical problem in the alarm zones," the suspect told the police. So he opened and closed the door several times to confuse the guards.
This is a great hack, applicable to probably most human security. Can it apply to computer security? Well, if you've ever been inclined to silence an alarm you can't diagnose...
There's a fascinating Derren Brown program The Great Art Robbery where (if I remember right) he tells a gallery what he will steal and the exact time, and still manages it.
Yup; over-eager virus- and malware scanners have much to answer for in that regard. And Windows' attempts at security in windows Vista I believe it was - by having an intrusive "admin approval" screen - is another example where after only a few "false alarms", people already automate hitting OK when something like that pops up without reading the details.
It's frankly hard to imagine somebody putting a Picasso in that position. Look at the height of the painting! Look at how low the wall it's resting on is! Look at the surface it's sitting on! How is it that nobody there has their intuitive every-day-physics alarms going off??
The title is clickbait. It makes it sound like someone hiking in a ravine just happened to stumble upon these paintings. In actuality, the guy just felt guilty, so he confessed and gave them back. The subtitle says it all:
> Ending a long-running mystery, a construction worker guided the police to the hiding place after admitting he had taken the works in a daring one-man raid on the National Gallery in Athens in 2012.
I think the thief does deserve leniency. He had nothing to gain by turning himself in other than guilt relief, and a lot to lose. Much respect. Prison time still seems appropriate, but a lot less than otherwise.
It kinda depends; did he steal it for himself or was it "to order", in which case it depends on whether he can help convict the bigger fry. Was it damaged? Etc. Motivation matters a lot in a case like this, I think, and of course damages because a lot of money has been spent on police and museum investigation, possibly insurance money, restoration, etc.
I wonder how the recovery of stolen artworks plays out with insurance. If a museum's (or ultimate owner's) insurance company pays out for the theft, and then a decade later the works are recovered, does the museum (or owner) have to return funds to the insurance company? What if the museum is not in a financial position to do so... could they be forced, ironically, to sell the recovered art?
There was an EconTalk about Art Loss Register that covered this very question [1]. The insurance company returns it as long as the original owner pays back the amount paid out with some interest. The insurance company doesn't benefit from any appreciation of the artwork though.
What's unclear though is that (as described in the same podcast), the insurance company doesn't pay out the full value of the artwork. The TV show Lupin uses this as the plot device whereby a fraudster claims the artwork is stolen to get the insurance money as a kind of temporary loan.
He would have been better off framing them and hanging them on the wall, nobody would believe that that construction worker had the stolen originals on his wall. The other benefit is that he would have been able to enjoy the art.
This EconTalk podcast episode is an interview with an author of a book about the "Art Loss Register," a private registry for stolen works of art. The economic aspects of provenance and trust are likely interesting to folks interested in blockchain applications.
It's 'lawyer talk'. It does not make sense, but if you are not paying attention while reading it, you would register it as something positive for the thief.
Yes.. Jack Ma got to the top doing business in China, but then proves himself to be a bad judge of the situation by making speeches against the Chinese authorities. I don't think so.
I think Jack Ma is just a figurehead (like most business people) - an actor that is there to raise the profile of the brand. I don't think he owns what they say (though I'm sure he is well remunerated).
All we can really say I think, is that his role came to an end, and he has stepped off the stage.
[+] [-] klyrs|4 years ago|reply
This is a great hack, applicable to probably most human security. Can it apply to computer security? Well, if you've ever been inclined to silence an alarm you can't diagnose...
[+] [-] vl|4 years ago|reply
[+] [-] alexpetralia|4 years ago|reply
[+] [-] akarma|4 years ago|reply
Interesting to hear this being validated as a tactic in another art theft.
[1] https://en.wikipedia.org/wiki/Isabella_Stewart_Gardner_Museu...
[+] [-] yesenadam|4 years ago|reply
https://www.youtube.com/watch?v=Cb1I7Ld7Cc0
[+] [-] Cthulhu_|4 years ago|reply
[+] [-] failwhaleshark|4 years ago|reply
[+] [-] haunter|4 years ago|reply
https://www.youtube.com/watch?v=5wfmFsNec24
[+] [-] happytoexplain|4 years ago|reply
[+] [-] scudd|4 years ago|reply
[+] [-] stavros|4 years ago|reply
[+] [-] aledalgrande|4 years ago|reply
[+] [-] axiosgunnar|4 years ago|reply
[+] [-] fogof|4 years ago|reply
> Ending a long-running mystery, a construction worker guided the police to the hiding place after admitting he had taken the works in a daring one-man raid on the National Gallery in Athens in 2012.
[+] [-] hirundo|4 years ago|reply
[+] [-] fumblebee|4 years ago|reply
> According to the news reports, the suspect said he had moved the paintings there in May after reading that the police might be onto him.
[+] [-] flycaliguy|4 years ago|reply
[+] [-] Cthulhu_|4 years ago|reply
[+] [-] neonate|4 years ago|reply
[+] [-] axiosgunnar|4 years ago|reply
[+] [-] 6502nerdface|4 years ago|reply
[+] [-] vlovich123|4 years ago|reply
What's unclear though is that (as described in the same podcast), the insurance company doesn't pay out the full value of the artwork. The TV show Lupin uses this as the plot device whereby a fraudster claims the artwork is stolen to get the insurance money as a kind of temporary loan.
[1] https://www.econtalk.org/anja-shortland-on-lost-art/ @ ~minute 20
Youtube link w/ timestamp: https://youtu.be/eRbSFSZPY8s?t=1149
[+] [-] doggosphere|4 years ago|reply
[+] [-] av3csr|4 years ago|reply
https://www.ekathimerini.com/culture/1163872/the-mystery-of-...
[+] [-] watertom|4 years ago|reply
[+] [-] dylan604|4 years ago|reply
[+] [-] kbutler|4 years ago|reply
The article doesn't say if the relative knew they were stolen originals or presumed they were prints.
[+] [-] shadilay|4 years ago|reply
The real crime.
Works being stolen usually adds to their value.
[+] [-] BurningFrog|4 years ago|reply
That means some of these heists are staged!
[+] [-] adolph|4 years ago|reply
https://www.econtalk.org/anja-shortland-on-lost-art/
[+] [-] TedDoesntTalk|4 years ago|reply
> Mr. Kehagioglu, the lawyer, said that his client was no regular thief and that his remorse had led to the paintings’ safe return.
I don’t understand the lawyer’s statement.
[+] [-] aritmo|4 years ago|reply
[+] [-] Dah00n|4 years ago|reply
https://www.artnews.com/art-news/news/stolen-picasso-mondria...
[+] [-] re-al|4 years ago|reply
I think Jack Ma is just a figurehead (like most business people) - an actor that is there to raise the profile of the brand. I don't think he owns what they say (though I'm sure he is well remunerated).
All we can really say I think, is that his role came to an end, and he has stepped off the stage.