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AMerrit | 3 years ago
#1 The big budget crowd pleasing blockbusters. A few flop, but generally audiences like them and they don't do anything critics can complain about too much.
#2 Highly targeted low budget movies. There are small but consistent audiences with endless appetites for horror, action/thriller, etc films even at lower budgets. This seems to be where the biggest disconnect is, the genre fans highly rate their genre films even if it's direct to streaming fluff, while the critics see them as flawed, and broader audiences just don't watch them.
ascagnel_|3 years ago
gigaflop|3 years ago
I may also be different from the usual audience, in that I try to avoid binging anything. Hour-long episodes are great for my WFH lunch break, and to pad some time in the evenings if I so desire, but I prefer to commit to watching a movie if I know I have the time.
Molly's Game was a nice and long movie, but at over 2 hours long, I feel like it could have had potential at being a miniseries. But also, maybe not? Who knows how much meaningful material was left on the chopping block.
bsder|3 years ago
Getting a second bite is also responsible for the recycled pablum with China pandering--if you say something that the Chinese government deems unacceptable you lose your shot at that market.
As for "episodic", I suspect that's less a "deep dive" and more ADHD background watching on a phone. "Encanto" was an absolute poster child for this--"HEY! LOOK UP NOW! HEEEEEEEEY!" "Okay, volume back down. You can go back to your text messaging for a while." "HEY! LOOK UP AGAIN! TIME TO PAY ATTENTION! HEEEEEEY!" ad nauseam.