[beaconstudios]

Solarpunk has pretty strong anti-capitalist leanings. It doesn't have the punk element of being "low-life" like cyberpunk is, but the commonality between the two genres is that cyberpunk imagines the world that unlimited corporate power would create (from an 80s perspective, hence the neon and ascendant Japanese themes), and solarpunk imagines a world where the negative side-effects of capitalism (exploitation, alienation, environmental damage etc) are mitigated. It's like the optimistic mirror image to cyberpunk.

[pyrale]

A recurring thing in punk/cyberpunk culture is that the existing system is overbearing, and can't be removed. So the punk elements live in the shadow of that system, and thrive in the cracks, the neglected parts. That's usually why (cyber)punk characters are bottom feeders that do stuff that is either not well known, not profitable, or too risky.

Solarpunk usually describe societies where the negative aspects have just disapeared, and been replaced by stuff that the genre proponents enjoy. From what I read, the claim is that the "punk" aspect is the rebellion against negativity. But that's not something we can see in their production.

[trinsic2]

It seems to me, or I imagine that the solarpunk vision just breads authoritarianism out of its design..

[krapp]

Arguably, if it's optimistic, it isn't "punk." That "low-life" alienation and rage against the system is what makes it punk - the "cyber" part is just aesthetic.

Anticapitalism isn't punk in a world where the anticapitalists win.

[beaconstudios]

This is just my headcanon but I think of the punk in solarpunk as being metatextual: it's not rebelling against its own world, it's rebelling against ours, and against the pervasive pessimism of capitalist realism. I think we need something like that in a time where most fictional futures are dystopian.

[91edec]

solarphunk