I make comics. I grew up reading stuff that used the space of a magazine spread in all kinds of clever ways, I fell in love with the way I can play with layout across a page. I made an entire graphic novel with multiple storylines running in parallel across every page.
A phone can show one or two panels at a time, at best. There’s a lot of stuff you just can’t do. It’s a tiny, limited canvas, even before it gets shitted up with ads and pop ups.
I don't think any book could give the feeling of transitions as the webtoon format can, yes, its only a panel (or less!) at a time, but the artist can give a halting thought-by-thought feel of a man on his deathbed, or roll out an entire red carpet of flourishes to introduce a character of nobility
You can't go super transition-heavy in print, because well, printing and pages cost. and people need to move their big hands to flick the pages, there is an expected consumption rate for that effort put in, so even if cost wasn't an issue, people would get fed up with the transitions anyhow.
so yeah, 1 panel at a time, is a bit of a downside, but IMO its also an upside in that one can give each panel its own treatment and such. an infinite vertical strip as one's canvas
- - -
of course, getting all the bits into the right places with the right breathing rooms and the right flow is a true skill in of itself, but, I dunno, is it better to read 1 super good comic, or 100 entertaining enough ones? the bar is lowered by all of this, yes, but is that a bad thing?
I’ve recently started following a few webcomics that are phone first. I’m sure they’ve been around a while, but it was novel to me to have a story set up as a continuous downward scroll. There isn’t as much flexibility as you get with a comic spread, but there are still interesting tricks that contribute significantly to the overall feel and pacing of the story.
Scott McCloud of Zot fame was an early adopter of the web, I attended a talk from him where he was talking about how frustrated he was that the 3 panel format had persisted to the web, when there were so many ways to use space creatively.
He later adapted that talk for his "understanding comics" Ted talk. Worth a watch if you love the medium
egypturnash|3 years ago
A phone can show one or two panels at a time, at best. There’s a lot of stuff you just can’t do. It’s a tiny, limited canvas, even before it gets shitted up with ads and pop ups.
asojfdowgh|3 years ago
I don't think any book could give the feeling of transitions as the webtoon format can, yes, its only a panel (or less!) at a time, but the artist can give a halting thought-by-thought feel of a man on his deathbed, or roll out an entire red carpet of flourishes to introduce a character of nobility
You can't go super transition-heavy in print, because well, printing and pages cost. and people need to move their big hands to flick the pages, there is an expected consumption rate for that effort put in, so even if cost wasn't an issue, people would get fed up with the transitions anyhow.
so yeah, 1 panel at a time, is a bit of a downside, but IMO its also an upside in that one can give each panel its own treatment and such. an infinite vertical strip as one's canvas
- - -
of course, getting all the bits into the right places with the right breathing rooms and the right flow is a true skill in of itself, but, I dunno, is it better to read 1 super good comic, or 100 entertaining enough ones? the bar is lowered by all of this, yes, but is that a bad thing?
wingerlang|3 years ago
pbronez|3 years ago
Torifyme12|3 years ago
He later adapted that talk for his "understanding comics" Ted talk. Worth a watch if you love the medium
Aissen|3 years ago
kevin_thibedeau|3 years ago
asdff|3 years ago
daguava|3 years ago