[notriddle]

I think you might have a point, but it's not applicable to this situation. Software architecture isn't like architecture. It's more like mathematics, or maybe poetry. There's a language to it, and if you don't speak it, you're not going to get it.

Imagine presenting the original version of King Lear to someone who doesn't know English. It's beautify poetry, I won't argue that, and our hypothetical listener might even be able to detect the rhythm of its iambic pentameter buried under the seemingly-gibberish words, but they won't appreciate it on the same level as someone who actually speaks the language. And while they'd be able to get the story if it was translated, it would lose the rhythm unless the translator recreated it, at which point you've got a new work of art.

Similarly, nobody's going to be able to appreciate the Git data model unless they've already got a solid sense of algorithmic thinking, and preferably the background knowledge of filesystems to know what problem it's actually trying to solve. Or the Quicksort algorithm to someone who doesn't even know what a recursion is.

(Some anal-retentive postmodernist would probably argue that there is, in fact, a language to physical architecture, and that if you don't speak it, you won't get it. The problem is that the only way I know of to test that would be to find someone with zero experience with human-made structures, which seems impossible. I see no real purpose in arguing this point, because when it comes to algorithmic beauty, there is definitely a skill floor below which you just won't get it.)

[club_tropical]

Thank you, your comment helps me sharpen my thought.

1) Yes, you definitely need to know Latin to appreciate the Aeneid, I agree with this.

2) It is a comparatively low bar though. Ability to write Hamlet is quite a step up from ability to read it. So a floor level of skill is absolutely necessary to even “unlock” the taste.

3) There are also returns to additional knowledge/skill for a while. The better your English is, or the more cultural references you know, the better your appreciation of Hamlet might be. You “unlock” less dramatic but still new taste buds.

4) I do think, however, that my OG point largely holds: your acquisition of baseline knowledge/skills doesn’t instill taste so much as unlock it. In other words, among people who speak English, all but the aforementioned seething subset will agree that Shakespeare is great and among people with some algo thinking, all will think elegant code is elegant.

5) Because the skill to unlock taste is so much less than the skill to produce, I agree with the article that they are basically orthogonal.