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klenwell | 3 years ago
Since writing is very hard and rewriting is comparatively easy and rather fun, I always write my scripts all the way through as fast as I can, the first day, if possible, putting in crap jokes and pattern dialogue—“Homer, I don’t want you to do that.” “Then I won’t do it.” Then the next day, when I get up, the script’s been written. It’s lousy, but it’s a script. The hard part is done. It’s like a crappy little elf has snuck into my office and badly done all my work for me, and then left with a tip of his crappy hat. All I have to do from that point on is fix it. So I’ve taken a very hard job, writing, and turned it into an easy one, rewriting, overnight. I advise all writers to do their scripts and other writing this way. And be sure to send me a small royalty every time you do it.
https://www.newyorker.com/culture/the-new-yorker-interview/j...
jdminhbg|3 years ago
zikzak|3 years ago
I laughed, because I knew exactly how original my thinking was going in. It was really funny (and depressing if I had a big ego) how close it was to my idea.
However, doing so allowed me to iterate a bit and I took a minor aspect of the plot (people don't always have enough to eat) and magnified it (the government is the only source of food and they use this to control people). It has made the story much more interesting (still not super original!).
ghaff|3 years ago
While it can head you off down dead-ends, having some structure and words to start with tends to be easier than a blank sheet of paper.
xxr|3 years ago
I'm sure that a back-and-forth with Julie Kavner and Dan Castellaneta doing those exact lines would still give me the biggest side-splitting laugh of 1996.
red-iron-pine|3 years ago