To some extent I think that was always an early aim of Creative Commons. I don't think Creative Commons ever saw their job as being a charity owner of IP, but they certainly tried their best to provide as many tools as possible to liberate IP and patents to either copyleft or the public domain (CC0) as they could.
I could certainly imagine an alternate future that if CC got enough donations to back a big enough budget they could help pay for lawyers to full time help creators claw back IPs from major corporations with the hopes to CC or CC0 license the rights that they win back. I also imagine that would cost a lot of money and that hypothetical arm of CC would need a huge budget to win the legal fights it would want to take on.
That was basically what happened to Blender, I think? I have been thinking it would be nice if someone was organizing crowdfunding and taking care of all the legal work to buy out old works properly. Thinking mostly of stuff with little value, that ought to be cheap. The rights to records released on small labels a long time ago that never sold very well to begin with. Obscure comicbooks. B horror movies. Low-budget video games. Old boardgames and tabletop-RPG books (illustrations included, ideally). Things that no one is making any money off anyway. Maybe something more high profile now and then.
But on the other hand if that was done on a large scale it might set an expectation that old things are bought out, or even that anyone ought to be paid to release anything free at all, and that sounds very bad.
Legally speaking this would involve actually purchasing those outright. Sidestepping any questions about copyright assignment and rights reversion, the main problem here would be cost. Most companies that own works anyone of us care about significantly overvalue their ownership in the work, like to the point where ownership is either not for sale or would only be offered for a ludicrous price.
You'd be better off lobbying to weaken copyright protections. There are several charities interested in doing so, but they all have different kinds of baggage: donating to the FSF means Stallman's Way or the Highway, donating to the EFF means supporting Protect The Stack[0]. RPG[1] is run by Louis Rossmann who is fairly chill[2], but they're also the weakest in terms of anticopyright. Nobody wants to purely abolish or reform copyright; they want to do so as a means to achieve some other ends.
Putting that aside, there's also the problem that proposals to reform copyright go absolutely nowhere. Copyright maximalism is pretty uniformly supported by almost the entire US political class[3] and even very mild reforms like right-to-repair face fairly extreme bipartisan opposition. Not even the fascist-lite (DeSantis/Trump) wing of the Republican Party is willing to kick Disney in the copyright balls.
Illegally speaking, the Internet Archive is perfectly willing to publicly archive works they don't own, and they are saints for doing so. But they are also having their balls sued off.
[0] To paraphrase a lot, it means "ISPs should not have abuse desks".
[1] Repair Preservation Group
[2] He does have a right-libertarian bent and an axe to grind against New York's government, though that can be explained by them trying to kill his business
[3] Corporate leadership inclusive. Most corporations should be considered to be a kind of shadow government, not just as private entities.
WorldMaker|2 years ago
I could certainly imagine an alternate future that if CC got enough donations to back a big enough budget they could help pay for lawyers to full time help creators claw back IPs from major corporations with the hopes to CC or CC0 license the rights that they win back. I also imagine that would cost a lot of money and that hypothetical arm of CC would need a huge budget to win the legal fights it would want to take on.
aleph_minus_one|2 years ago
Google for Library Genesis, Sci-Hub, Z-Library, ... ;-)
livrem|2 years ago
But on the other hand if that was done on a large scale it might set an expectation that old things are bought out, or even that anyone ought to be paid to release anything free at all, and that sounds very bad.
Steuard|2 years ago
unknown|2 years ago
[deleted]
kmeisthax|2 years ago
You'd be better off lobbying to weaken copyright protections. There are several charities interested in doing so, but they all have different kinds of baggage: donating to the FSF means Stallman's Way or the Highway, donating to the EFF means supporting Protect The Stack[0]. RPG[1] is run by Louis Rossmann who is fairly chill[2], but they're also the weakest in terms of anticopyright. Nobody wants to purely abolish or reform copyright; they want to do so as a means to achieve some other ends.
Putting that aside, there's also the problem that proposals to reform copyright go absolutely nowhere. Copyright maximalism is pretty uniformly supported by almost the entire US political class[3] and even very mild reforms like right-to-repair face fairly extreme bipartisan opposition. Not even the fascist-lite (DeSantis/Trump) wing of the Republican Party is willing to kick Disney in the copyright balls.
Illegally speaking, the Internet Archive is perfectly willing to publicly archive works they don't own, and they are saints for doing so. But they are also having their balls sued off.
[0] To paraphrase a lot, it means "ISPs should not have abuse desks".
[1] Repair Preservation Group
[2] He does have a right-libertarian bent and an axe to grind against New York's government, though that can be explained by them trying to kill his business
[3] Corporate leadership inclusive. Most corporations should be considered to be a kind of shadow government, not just as private entities.