Show HN: Learn piano without sheet music
222 points| jacobp100 | 2 years ago |jacobdoescode.com
This works on MIDI files. If it’s a valid midi it probably plays.
Since releasing, I did add a subscription for classical music - on a theory that most normal users don’t know what a midi file is. It changed about a month ago from an up front price to in app purchases and/or a subscription - which has absolutely tanked revenue so far - but maybe it will pick up
Would love to hear your thoughts and if you have any suggestions!
[+] [-] kashunstva|2 years ago|reply
Experienced players read music in a way that overcomes some of the limitations that form the assumptions that are behind these alternative notation systems. Instead of looking at a measure as a collection of individual notes that must be perceived, interpreted and executed in sequence, they take it in as a chunk. (I imagine reading code must be similar.) This is why the density of traditional notation isn’t intimidating - after a while it can be read as a whole.
Whether a system like this could be a pedagogical bridge to formal notation remains to be seen. I’ve encountered such bridging systems before. I’m an admitted skeptic because my orientation to this is that if you want to learn a thing, just start learning the thing. The struggle, within limits, is known to enhance learning.
[+] [-] heleninboodler|2 years ago|reply
Ever since I started learning something about music theory (just in the past couple years... I'm far from an expert), I've realized that both sheet music and the piano layout are both very clever in unexpected ways that, as you point out, make the music notation both expressive and more compact than a straight timeline of linear note values, because they lean on the fact that sections of music tend to skip very predictable parts of the range of notes. They tend to use them in particular patterns that make it useful to reduce your focus to a subset of the available range at any given moment.
[+] [-] unc0n|2 years ago|reply
There is one particular instance in which getting away from traditional notation can help. I have absolute pitch, and I've played transposing (woodwind) instruments before. The mental link between specific finger positions and specific tones / notes on the score, is one that causes me untold issues with transposing instruments. If I could just focus on the finger positions without the distraction of the score, that would help me. I don't think this is a common problem though.
[+] [-] _gabe_|2 years ago|reply
I’m not professional, but I have been playing for awhile and can sight-read fairly easily. What you said here is 100% true, and I liken it to learning to read a language. Watch how kids learn to read, they have to look at each syllable and letter and sound out each word. Eventually, after enough practice, you don’t read individual letters, you read words. Then, you begin to observe the nuance of the grammatical structure.
I feel like reading music notation has followed a similar trend for myself. I no longer read individual notes, I see chords and progressions. Just like stories tend to follow a plot line, and you can predict how the story may end, music follows a plot line, and you can predict the movement. This is also why certain styles of music is so interesting! We expect the plot to move in a direction and then are surprised by the twist. This video by 8 bit music theory gives a good overview of how that can be done[0].
I especially love when I’m playing through a new piece and every part of the song just makes sense. Yiruma’s music in particular feels very natural for me, and it’s an absolute joy to play through the song and have it all flow together so well.
Anyways, I think a lot of people just don’t give it enough time and give up a bit too early. It’s magical when you pass that point of reading individual notes and enter into the territory of really reading pieces. I still have so far to go, but music will always be a relaxing and fulfilling hobby.
[0]: https://youtu.be/gzK1CTxxRH0?si=H3aUQo83lVl-2BQK
[+] [-] chimpansteve|2 years ago|reply
I know people who cannot play a tune without sheet music. I know some of the most talented musicians on this earth who cannot read sheet music. There is no right and wrong to this. It's what works for you.
I do think some form of formal music theory training is an absolute cheat code when it comes to playing multiple instruments, or just jamming and playing by ear though
[+] [-] whartung|2 years ago|reply
[+] [-] singingfish|2 years ago|reply
Personally I believe there's no substitute to doing serious amounts of repetition of stuff that you're trying to learn to get it fluent, and using your ears (and on the piano to a lesser extent eyes) to get it. Personally I'm happiest when I'm able to step away from the sheet music, but I also read to an intermediate level.
It turned out what got me much more fluent with sheet music reading was copying out some scores that were a little bit of a stretch for me, at the time, due to having multiple performances of same music at short notice.
For most music I play (I'm on sax in a couple of street bands) I much prefer to have internalised the music and be able to operate from memory based on knowing the key and some intuition of the harmonic structure. In fact if I know a tune too well the sheet music starts to throw me if I try reading and playing.
Intuition is important. The fact that I already had good intuition on the sax, but that it was a struggle on the piano is what made me stop piano lessons because getting better at piano was eating in to my getting better at the sax time too much.
[+] [-] yieldcrv|2 years ago|reply
I like Ableton's Push system and associated sequencing software. I think it is superior.
Its an LED grid and matrix, but primarily within that grid it highlights all the C notes for every octave
for someone that doesn't have the discipline to already sense them, there is no need to ever gain or hone that sense anymore
its hard to describe, as the combination of hardware and software is quite comprehensive, but in comparison it really does seem like this just wasn't revisited for the last 700 years. the matrix is for playing and reading. whereas these would be separate things in analog devices and things that simulate them. hm, lines blur with the term analog. I mean in comparison to traditional physical instruments.
[+] [-] vidarh|2 years ago|reply
I don't know whether or not this is it - judging purely from the screenshots I think it's too pared back and austere, e.g. making it harder (for me at least) to see expected duration of a note from length alone, but I love that people are trying.
[+] [-] jrockway|2 years ago|reply
[+] [-] snarkypixel|2 years ago|reply
[+] [-] djtango|2 years ago|reply
I found that once I learned coding I started to internalise and conceptualise things about music I didn't before. The structure of music became so much more concrete and I also realised that not only are musical chunks (eg scale or arpeggio) an abstraction on paper but so too is the brain-muscle instruction to execute it. In some of the intermediate Beethoven and Chopin where it starts to get spicier you don't have time to think note by note...
[+] [-] shadowfoxx|2 years ago|reply
I always wished that sheet music was rotated 90 degrees. The more I hear from musicians the more I think maybe that's not good... but there is something to be said about, "with experience you'll just get it, it become natural" especially with a system that's been around for hundreds of years...
[+] [-] keithalewis|2 years ago|reply
This. After you have learned things feel free to come up with something others might want to spend their time on learning.
[+] [-] jbaber|2 years ago|reply
I'm almost more interested in an example of gradually evolved notation being tossed completely when a simpler modern replacement actually is better. Maybe Hangul?
[+] [-] RogerL|2 years ago|reply
If you need to sight read (and as rock/pop/jazz people point out, you don't have to for many genres), then you need to sight read.
There are so many other virtues to sheet music. Look at the cover image. I can see a few notes. I can see vastly more notes in sheet music. I can easily evaluate if the piece is playable, I can scan and look for broader patterns. I can see that a bass note is being held for 8 measures (and I may choose to repeat it at some point). I can look ahead quite a bit. I can understand the repeat structures - don't gasp, but you don't have to take repeats, or you can repeat more times than written, especially with 20th+ century music, where you are often expected to do things like choose your own ordering of measures or blocks of measures. There are fingerings. I can see if the composer is writing out finger pedaling explicitly (Couperin normally does, Bach normally doesn't). I can see the pedal markings, general contours of dynamics. I can see the trills, etc., which are often just suggestions rather than hard requirements. I can see the meter, meter changes, keys, key changes, accidentals. I can see a big scary chord coming up and spend a bit more time looking at it while I play a few measures behind. I can see that Bach is repeating a phrase a 5th down, or inverting it, or reversing it. I can see the difference between passages meant to be played in time, and fioritura type writing.
I haven't used these piano roll systems so there are undoubtedly some things that are nice about it for an experienced player that I don't know about, so that paragraph is one sided. But that one side is very important - I'd loathe to go without them, and can't imagine I'd ever trade them for whatever advantage the piano roll might bring. After all, a player can take a sheet of paper Chopin wrote, produce that music at a more or less performance level. So it gives you about everything you need. I could imagine a current composer might find something more expressive about the piano roll (maybe expressing note durations not evenly subdivided by 2 or 3).
I suspect there is something neurological happening that stops some people from sight reading well, just like some people struggle with text. I've read accounts of people trying for years, with seemingly good practice techniques, still struggling.
So things like this, synthasia, etc., seem to have a niche. But in general, I suggest, think about someone proposing an app that instead of displaying printed text output it sonically. Great boon for certain situations or people! Undoubtedly someone is using one to read this very post. But a terrible replacement for reading in general.
If a six year old was relying on screen readers because reading is too hard to learn, after testing for dyslexia and vision problems, you'd urge them to make the effort; the advantages of reading text vastly outweighs the 1st grade difficulties of learning to read (yes, that time span will differ by language and writing system, not the point). Literacy is empowering, and arguing that the auto mechanic down the street can't read yet makes a good living is probably not a convincing argument to not teach a child to read.
I learned to sight read at age 4-5 with a plastic brain (I recall my mother having to teach me the letters a-g, and how to write them, for example), so I may underestimate the difficulties of learning later in life. But if you are in a situation where some kind of notation is helpful (again, not all are), learn standard notation!
edit: I thought of a counter-example. Say you play in a band. You can record your output to midi, and then share it with others. You can quantize midi and turn it into sheet music, but chances are you playing is not rhythmically exact. Sight reading that sort of thing is painful (notes carry 1/16th note into the next measure, that sort of thing), and I imagine a piano roll would often be easier.
[+] [-] dehrmann|2 years ago|reply
[+] [-] Johnythree|2 years ago|reply
The main point is that the design of the piano has held beginners back for centuries, and likewise has hindered the development of music notation.
Unfortunately the design of the piano keyboard requires that fingering change when you change key. The guitar doesn't do this, neither does the button accordion.
Whatever, a number of keyboards have been developed where the fingering does not change as you change key.
Start here https://www.le-nouveau-clavier.fr/english/
and https://musicnotation.org/wiki/instruments/isomorphic-instru...
Particularly the https://musicnotation.org/wiki/instruments/wicki-hayden-note...
But please start searching and reading on the following topics:
Isomorphic Instruments, the Xenharmonic Keyboard, the Janko Keyboard, Linnstrument, Lumatone, Dodeka, Chromatone, Balanced keyboard.
And for just a glimpse of an alternative music presentation:
https://www.youtube.com/watch?v=NQ7LkWCzKxI
[+] [-] YeGoblynQueenne|2 years ago|reply
That is an absolutely horrible idea. It might seem intuitive at first ("Just alternate keys!") but its impracticality becomes immediately apparent and is directly acknowledged in the site you linked:
>> There’s just one drawback: the monotony of such an arrangement. How can we find our way on such a keyboard? Recently, the French musicologist Laurent Fichet remarked: “This system would certainly be much more rational than the keyboard of today, but one may wonder how players would locate the different notes with such a systematic and uniform layout.”
The French version of the article then goes on to suggest many variations of ways to avoid being lost on a keyboard without any obvious pattern (the English version only lists one, briefly). Some include coloured keys.
It is beyond obvious that the simple, intuitive solution proposed at the start produces a cavalcade of complications none of which has a simple solution.
Not to mention: despite what the linked site suggests, learning how to position your fingers on the keyboard is the least of your problems when you learn the piano, just as learning to touch-type is the least of your problems when you learn how to code.
I vote no.
[+] [-] greffer|2 years ago|reply
That's a huge drawback and it's really underappreciated by everybody advocating for the "better" concept.
Besides, there is the unrelated drawback that especially for a beginner, it's really easy to learn simple tunes with just the white keys on a piano. Throw in a black one now and then and you can get quite far and have fun as a kid. This would be much more intimidating with a symmetrical layout.
[+] [-] jerpint|2 years ago|reply
[+] [-] 4gotunameagain|2 years ago|reply
Also, good luck printing it on paper without the animations :)
[+] [-] zharknado|2 years ago|reply
There are many comments to the effect that this is a crutch that will inhibit future learning. I agree with that assessment.
I also agree that such a tradeoff is probably fine for many people, depending on their goals.
I studied music composition in college and then worked in adult world language curriculum. Perhaps a useful analogy is the use of Romanization to teach world languages to native English speakers (romaji, pinyin, etc.)
For languages like Chinese (Mandarin, Cantonese, etc.) where there is (virtually) no phonetic information in the writing system, it’s just too dang hard for a lot of people to make the leap to pronouncing characters as they are reas by natives. Pinyin or its equivalents are an “inauthentic” but valuable tool, but eventually you have to discard it to progress.
With straightforward phonetic languages like Korean, it’s actually counterproductive to try to bridge people to familiar symbols, because there’s very few resources for the learner until they start mapping sounds to Hangul.
That’d be my argument—-if you find you can’t easily make the leap to reading music and just want to get playing, sure, use this. But know that there’s a whole world of communication out there that you’ll be missing until you abandon this simplified representation and cross the full chasm.
[+] [-] jhbadger|2 years ago|reply
[+] [-] openquery|2 years ago|reply
However over time it becomes easier and easier - and then you wonder is sheet music somehow optimal or is it 'good enough' and has withstood the test of time (also accounting for the fact that there is an enormous corpus of existing sheet music).
The question regarding this app (which looks awesome) is, is this format for reading music better than sheet music at the expert level (for professional musicians). And if not, how can we get that 10x improvement to make the switch from sheet music to something better.
[+] [-] phlakaton|2 years ago|reply
I am, once again, asking people to understand that piano roll notation is no substitute for traditional notation when it comes to performance, among many other things.
[+] [-] strunz|2 years ago|reply
[+] [-] Aeolun|2 years ago|reply
I suspect traditional sheet music is like the the qwerty keyboard.
At this point it’s momentum is so large that it’s impossible to stop.
[+] [-] jacobp100|2 years ago|reply
[+] [-] airstrike|2 years ago|reply
Can we get this guy to play the Super Mario World ending theme with the notation from TFA?
[+] [-] yongjik|2 years ago|reply
Either you start with an impossibly long bar that covers the screen, where you can't see how the phrase flows into the next notes, or you later get to a dozen identical ultra-short bars mashed on top of each other.
And that's just one problem.
[+] [-] RobertRoberts|2 years ago|reply
This is my biggest issue. I played piano for years and still struggle with this. (though I never excelled, and started young)
Any suggestions on a simple way to overcome this issue?
[+] [-] john61|2 years ago|reply
[+] [-] vcg3rd|2 years ago|reply
If the whole concept of this confuses me, and it does, it may confuse people who are eager to learn and get playing (without doing endless scales) and don't read sheet music.
I have no idea what tabs means in this context, though I am vaguely familiar, I think, with it as a guitar term (which you or a commenter came from).
Looking at the graphics on the site (I don't use Apple) gives me no clue how the notes for each hand are displayed "according to how they look on a keyboard."
What am I missing? Will someone who uses Apple, can't read sheet music, has never played any instrument and wants to learn how to play piano be able to figure it out within app tutorials?
[+] [-] duped|2 years ago|reply
The problem that sheet music solves is providing a static notation that can be read non-linearly for a dynamic piece of art that must be played linearly.
There's also no way to represent dynamics, as far as I can tell? The MIDI file won't give you that information.
Similarly unless you support MIDI 2 clip files (to my knowledge, no one does yet) you're also missing the key signature information, which is kind of important (otherwise the notes have no meaning - you need to infer their function from context, which is ambiguous)
[+] [-] masukomi|2 years ago|reply
[+] [-] Octabrain|2 years ago|reply
[+] [-] AntonyGarand|2 years ago|reply
Reminds me of Synthesia[1], with a better UX but less features!
How do you handle the displaying all notes on a portrait phone per your homepage screenshot? Especially on songs with a large gap between both hands, seems like it would be pretty cramped so a tablet might be the better option.
[1] https://www.synthesiagame.com/
[+] [-] jimmytucson|2 years ago|reply
So I can definitely see a market for this and will probably try learning another song on piano with it. That said, I do wish I had just learned to read music up front, as I learned my first instrument. I think it would have opened up doors for me, particularly for playing with other musicians (like an orchestra or a jazz band). But who knows how much longer that will be the case - tomorrow's great musicians may learn on an app like this!
[+] [-] catapart|2 years ago|reply
Yours is a very nice presentation! I like the annotations feature, and the comprehensiveness of the features, even for the stated goal of such simple functionality. A lot of people might leave out percussion loops, or be a bit more stingy with the free tracks.
This may be a stupid question, but I'll ask anyway: does it recognize Midi controller input? In my practice, I've found value in having the notes I play represented digitally, so that I can keep my eyes on the screen (and, let's face it, Rock Band/Guitar Hero is fun). But I didn't see that specifically advertised anywhere, so I was curious!
[+] [-] tnecniv|2 years ago|reply
[+] [-] rwhyan|2 years ago|reply
Although the upfront cost of learning sheet music is a few weeks of study, it quickly becomes worth it due to gains in speed of learning and sightreading skills.
Maybe this can introduce people to piano and get them playing quickly, but it'll ultimately stunt their development.
[+] [-] notorandit|2 years ago|reply
[+] [-] pascalxus|2 years ago|reply
Then I attempted to install it and got this: - "This application requires iOS 15.0 or later". This is a deal breaker on so many apps. I don't trust apple enough to change my iOS version. Note: this happened on a pretty recent iphone 7+
[+] [-] irrational|2 years ago|reply
This doesn’t surprise me. I abhor all subscriptions. I’ll pay for things once, upfront, but I’d rather do without than have continuous payments.
[+] [-] Gigachad|2 years ago|reply
[+] [-] tornato7|2 years ago|reply
[+] [-] Madmallard|2 years ago|reply
https://synthesiagame.com/
[+] [-] jacobp100|2 years ago|reply
[+] [-] ksherlock|2 years ago|reply
At least this sort of display eliminates the "akshually C𝄫 and A♯ are different"-type cranks.