I think his prose quality varies widely from work to work. Typically it's not great. In Atrocity Exhibition it's beyond bland, though--almost bureaucratic in its mechanical periphrases, repetitive, clinical and bizarre. I can't imagine that's not intentional. And Crash, if you can stomach it, is outright pungent. At times it reads like an airport novel, at other points it's hallucinatory. Most of the rest is written indifferently, interesting for the ideas but not the writing.
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