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uncomputation | 2 years ago
See for example, Frankenstein. The sentiment rises slightly during the Creature’s narration to Victor of his circumstances - likely the narration of the French family he was “living”/stowing away with - but that’s certainly not a “rise” in the sense Oedipus rises to noble status. It’s hard to interpret Frankenstein as anything other than the protagonist’s consistent and tragic downfall (riches to rags in this analysis).
Not sure if that’s fundamentally a problem trying to extrapolate plot beats from sentiment alone, or a bit of less than accurate journalism.
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