(no title)
bbatha
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5 months ago
Depends on how you define quality. While medium and large format photography are extremely high resolution that’s not the only factor. Space age lenses were significantly lower resolution than the film. Modern mirrorless lenses are starting to come close to being able to out resolve film but still aren’t there. Meaning that you get more functional resolution out of modern digital. Digital also beats the pants off film for dynamic range and low light. That said the noise (grain) and dynamic range fall off in film are more pleasing than digital to most eyes. So it’s not all about technical specs.
thw_9a83c|5 months ago
While this is true now, it took a surprisingly long time to get there. The dynamic range of professional medium format negative films is still respectable. Perhaps not so much in a low light, but it's very immune to overexposure.
Also, you can buy a cheap medium-format camera in a good condition and experience that "huge sensor" effect, but unfortunately there are no inexpensive 6x6 digital cameras.
buildbot|5 months ago
bhickey|5 months ago
Can you say a little more about this? Modern lenses boast about 7-elements or aspherics, but does that actually matter in prime lenses? You can get an achromat with two lenses and an apochromat with three. There have definitely been some advances in glass since the space program, like fluorite versus BK7, but I'm wholly in the dark on the nuances.
bayindirh|5 months ago
Sony's "run of the mill" F2/28 can take stunning pictures, for example. F1.8/55ZA is still from another world, but that thing is made to be sharp from the get go.
The same thing is also happening in corrective glasses too. My eye numbers are not changing, but the lenses I get are much higher resolution then the set I replace, every time. So that I forget that I'm wearing corrective glasses.
actionfromafar|5 months ago
bbatha|5 months ago
Edit: this is just for prosumer style cameras. If you look at phone sized optics that’s a whole other ballgame.