[samdafi]

I enjoy this take. Funding something is not the same as creating it. The Medicis were not artists, Michelangelo, Botticelli, Raphael, etc were.

You might not be a creator, but you could make an argument for being an executive producer.

But then, if working with an artist is reduced to talking at a computer, people seem to forget that whatever output they get is equally obtainable to everyone and therefore immediately uninteresting, unless the art is engaging the audience only in what could already be described using language, rather than the medium itself. In other words, you might ask for something different, but that ask is all you are expressing, nothing is expressed through the medium, which is the job of the artist you have replaced. It is simply generated to literally match the words. Want to stand out? Well, looks like you’ll have to find somebody to put in the work…

That being said, you can always construct from parts. Building a set of sounds from suno asks and using them like samples doesn’t seem that different from crate digging, and I’d never say Madlib isn’t an artist.

[survirtual]

Michelangelo had apprentices and assistants, many of which did a significant portion of the work. You could model him as the executive artist, directing the vision. Is this so different from prompting? Whose name is attached to all those works?

I will say Michelangelo was particularly controlling and distrusting of assistants, and uniquely did more work than other master artists of the time, but the point remains. The vision has always been the value.