The linked article references George Bain’s book on Celtic knotwork construction methods, but his son Ian Bain actually found a much, much better method, and argues convincingly that this, not his father’s, was the method used by medieval Celtic illustrators. Ian’s method more easily produces consistent rope widths (when done by hand), and addresses the issue of how to soften these angular turns which ruin the rope effect and produce a robotic grid.
So I do agree with you that Iain Bain's methods is better than his father's, especially for us mere mortals. But George's method for consistent rope widths (step 1: draw them all the same width) did work better for me when I was getting a program to generate knotwork on grid of squares and rhombuses, where following Iain's method led to irregular rope widths because the angles changed.
If you are interested in this art style, Knuth shared that there is a very cool art display that includes Celtic Tours. https://www-cs-faculty.stanford.edu/~knuth/knights.html is his writeup on the art. If you are in the area, highly recommend getting to see it.
This post makes me wonder - does anyone else think there is a need for a term to more strongly differentiate between procedural generation (like this knot-drawing program) and genAI? I feel it really diminishes the impact of the work of programmer-artists nowadays to say they make “computer-generated” art. Or maybe we already have such a term?
> From one point of view, for a work of art to be considered algorithmic art, its creation must include a process based on an algorithm devised by the artist. An artist may also select parameters and interact as the composition is generated. Here, an algorithm is simply a detailed recipe for the design and possibly execution of an artwork […]
Creating art by AI certainly also uses an algorithm to some extent but it cannot be said to have devised that algorithm and arguably also not to clearly define all parameters to the algorithm.
I instinctively agree there is an important difference.
If you try to define systematically what that difference is, though, it's not obvious. At the end of day, I think it's something like "degree of difficulty" or "amount of thought", which are vague concepts. Yet most would agree what the author here did requires more skill and thinking than typing "image of celtic knot" into Gemini.
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I'm thinking this might have broader use than artistic appeal. From what I've heard, knot generation is a young but increasingly important topic in knot theory, since it can be used to generate data to train ML models on, and subsequently (hopefully) discover new algorithms for knot classification. See https://www.nature.com/articles/s41586-021-04086-x for example.
Fans of Celtic knots might also like the daily game Celtix (https://www.andrewt.net/puzzles/celtix/) where the objective is to separate a Celtic knot into five coloured strands.
Looks neat. Might be worth constraining the inputs. I got an error at 200x200:
Uncaught PythonError: Traceback (most recent call last):
File "<exec>", line 22, in resetKnot
File "<exec>", line 473, in generateKnot
File "/lib/python3.12/site-packages/PIL/Image.py", line 2941, in new
return im._new(core.fill(mode, size, color))
^^^^^^^^^^^^^^^^^^^^^^^^^^^^
velcrovan|3 months ago
The book is out of print now but it looks like you can borrow it on archive.org: https://archive.org/details/celticknotwork0000bain/mode/2up
gilleain|3 months ago
1) Draw the 'skeleton' as a connected (simple?) graph in the plane
2) Place crosses at the midpoint of each edge
3) Connect the crosses with shortest (non-crossing!) connections (bit vague this, but is more obvious by hand)
4) Erase the crosses, and run over the line, assigning under/over as appropriate - you can also thicken at this step
This gives good free-standing knots, although may be more work for the dense knotwork in the OP's examples.
mcphage|3 months ago
quag|3 months ago
taeric|3 months ago
iansteyn|3 months ago
vlz|3 months ago
https://en.wikipedia.org/wiki/Algorithmic_art
> From one point of view, for a work of art to be considered algorithmic art, its creation must include a process based on an algorithm devised by the artist. An artist may also select parameters and interact as the composition is generated. Here, an algorithm is simply a detailed recipe for the design and possibly execution of an artwork […]
Creating art by AI certainly also uses an algorithm to some extent but it cannot be said to have devised that algorithm and arguably also not to clearly define all parameters to the algorithm.
jonahx|3 months ago
If you try to define systematically what that difference is, though, it's not obvious. At the end of day, I think it's something like "degree of difficulty" or "amount of thought", which are vague concepts. Yet most would agree what the author here did requires more skill and thinking than typing "image of celtic knot" into Gemini.
NoboruWataya|3 months ago
foofoo12|3 months ago
2earth|3 months ago
hodgehog11|3 months ago
OscarCunningham|3 months ago
iansteyn|3 months ago
cyrusradfar|3 months ago
Really enjoyed how you traced your mental model through the journey of solving the problem.
imba404|3 months ago
www.blackoakgames.com/collections/knot-dice
HansardExpert|3 months ago
xnx|3 months ago