[chiph]

And now we have the Loudness War where the songs are so highly compressed that there is no dynamic range. Because of this, I have to reduce the volume so it isn't painful to listen to. And this makes what should have been a live recording with interesting sound into background noise. Example:

https://www.youtube.com/watch?v=3Gmex_4hreQ

If you want a recent-ish album to listen to that has good sound, try Daft Punk's Random Access Memories (which won the Best Engineered Album Grammy award in 2014). Or anything engineered by Alan Parsons (he's in this list many times)

https://en.wikipedia.org/wiki/Grammy_Award_for_Best_Engineer...

[tyrust]

> now

Is this still a problem? Your example video is from nearly twenty years ago, RAM is over a decade old. I think the advent of streaming (and perhaps lessons learned) have made this less of a problem. I can't remember hearing any recent examples (but I also don't listen to a lot of music that might be victim to the practice); the Wikipedia article lacks any examples from the last decade https://en.wikipedia.org/wiki/Loudness_war

Thankfully there have been some remasters that have undone the damage. Three Cheers for Sweet Revenge and Absolution come to mind.

[entropicdrifter]

Certified Audio Engineer here. The Loudness Wars more or less ended over the last decade or so due to music streaming services using loudness normalization (they effectively measure what each recording's true average volume is and adjust them all up or down on an invisible volume knob to have the same average)

Because of this it generally makes more sense these days to just make your music have an appropriate dynamic range for the content/intended usage. Some stuff still gets slammed with compression/limiters, but it's mostly club music from what I can tell.

[mrob]

It's still a problem, although less consistently a problem than it used to be for the reason entropicdrifter explained.

There's a crowdsourced database of dynamic range metrics for music at:

https://dr.loudness-war.info/

You can see some 2025 releases are good but many are still loudness war victims. Even though streaming services normalize loudness, dynamic range compression will make music sound better on phone speakers, so there's still reason to do it.

IMO, music production peaked in the 80s, when essentially every mainstream release sounded good.

[a4isms]

I was obsessed with Tales of Mystery & Imagination, I Robot, and Pyramids in the 70s. I also loved Rush, Yes, ELP, Genesis, and ELO, but while Alan Parsons' albums weren't better in an absolute musical sense, his production values were so obviously in a class of their own I still put Parsons in the same bucket as people like Trevor Horn and Quincy Jones, people who created masterpieces of record album engineering and production.