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phony-account | 2 months ago
Anyone currently interested in this breadth of formats would need to spend maybe 20 thousand dollars to buy cameras like the Hasselblad Xpan, the Plaubel Makina 67, and one of the Fujica 690 bodies.
Putting all this into one body is almost miraculous.
Lomo have recently released a nicely featured 35mm film camera[1]. I wish something like the MRF2 could also be produced in this way.
[1] https://shop.lomography.com/us/lomo-mc-a-35-mm-film-camera-b...
JKCalhoun|2 months ago
To that end, if I can help others try medium format film, I want to add that there are plenty of inexpensive used medium-format cameras on eBay. I have purchased perhaps a dozen over the years—none of which even approached US $1000. In case you are not DIY inclined…
(Sadly, Japan has been the best place to order used camera gear but that has become cost prohibitive now for this American.)
Searching just now on eBay for "Yaschica TLR Mint" shows a number of cameras around $300 that are probably excellent (surprise, most are from Japan).
Can't afford a Hasselblad? Try "Bronica Mint" on eBay. Looks like $500 will get you in the game.
Mamiya cameras are built like tanks (and weigh as much). You could do a lot worse: "Mamiya Mint" is going to get you a few great models around $400 or so.
All of these were (are) considered damn fine film cameras.
(Mamiya tend to have interchangeable lenses, as does the Bronica. There are some Wide/Tele adapters for the Yashica, but generally you use them as-is. Most of these cameras are completely manual in operation—the more sought after Yashica though have some light-metering capabilities.)
(The Yashica and some of the Mamiya are TLR, twin-lens reflex—more or less equivalent to a rangefinder? The Bronica and some Mamiya you view through the lens 'TTL'.)
buserror|2 months ago
As for medium format, there are hundreds of Folding cameras that are pretty much as good as the obvious massive SLRs people are so keen on. I own and use a dozen of them, some of them absolutely legendary, like Zeiss Ikontas or Super Isolettes or the russian Iskras and Moskvas.
Quite frankly, having owned a few SLRs myself (I only kept a Bronica S2A with a 50mm lens) I more often than not use the folders because, well, for one thing I can literally have 3 in my bag with 3 different films! The good ones are as good or better than the SLRs, and as long as you don't mind a fixed lens, they do the job very well and often as way more character than the "system"'s ones.
Keep on rolling :-)
phony-account|2 months ago
Otherwise I fully agree that buying old film cameras is still both the most practical and most fun way to get into the hobby.
derwiki|2 months ago
lizknope|2 months ago
I see Fuji GW690 bodies with a 90mm lens on various sites like keh in the $1200 range.
I have a Hasselblad 500 series camera from the 1980's that my father bought at a pawn shop near a military base. In the early 2000's professionals were dumping tons of medium format gear as they switched to digital cameras so he got a wide and telephoto lens. The problem is I never use them. They are big, heavy, klunky, and slow to operate. I've never liked print film. I used to be able to get 2 hour development of E-6 slide film but now I have to mail it off and wait over a week so I don't bother. I look at digital backs but most of them are for studio setups.
Arodex|2 months ago
frompdx|2 months ago