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freshbreakfast | 13 years ago
I disagree though with the 2 vectors thing. There's a whole lot of things you can do with tonality with machines. And as for "Glissando, spicatto.." etc, well, I personally think the human voice will be the one instrument that will always be "in".
Point being, I'm most excited to see all the different vectors these machines invent.
And sure, technically we've been able to do this for decades, but it's usually been a hidden process in the studio. It's the crossover to mainstream cultural acceptance and respectibility as a performance instrument. When hardware instrumenalists move tickets, that's what's interesting to me.
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