top | item 7341892

Clear Sans

492 points| hactually | 12 years ago |01.org | reply

136 comments

order
[+] mortenjorck|12 years ago|reply
The quality of open-source typography has massively increased in just the past few years, and it's great to see Intel making its own contribution. The number of free options we have today for well-balanced, full, multi-weight type families (not just "fonts") would have seemed impossible just four years ago.

Intel's entry nicely fills a void left between more humanist types like Ascender's Open Sans and more geometric families like Natanel Gama's redrawn Exo family. It has a nice DIN-esque rigidity to the strokes that the other big DIN descendent, Roboto, doesn't fully embrace.

[+] _greim_|12 years ago|reply
This needs to sink into the collective brains of the world's brand designers, many of whom still standardize upon proprietary fonts.

My company creates sites for a variety of brands, and we run into the same problem over and over again. No, we can't hotlink your copy of Frutiger. No, we can't host our own copy. No, we won't accept an email stating "we give you permission to use this font" in lieu of a license from the actual foundry. No, we're not going to embed typography in images or flash. People are often clueless about the technical and legal difficulties of proprietary fonts on the web.

[+] killertypo|12 years ago|reply
I truly appreciate the open-source typography as it makes it reaaaaly easy to put fonts into my games. I do not have to design them myself or rely on unscalable image fonts. :\
[+] rds2000|12 years ago|reply
> The quality of open-source typography has massively increased in just the past few years, and it's great to see Intel making its own contribution. The number of free options we have today for well-balanced, full, multi-weight type families (not just "fonts") would have seemed impossible just four years ago.

What are some examples of the recent ones? (links are preferred, please).

[+] ryanwhitney|12 years ago|reply
Unfortunate, but not surprising, to see it incorrectly implemented across the entire site: http://cl.ly/image/260h1Z302T24

If you want to use multiple font weights, you have to load and reference each weight in your stylesheet. Otherwise, you end up with a browser-added faux-bolding instead of the actual bold font.

[+] grinich|12 years ago|reply
Someone should make a Chrome developer tools extension to catch stuff like this. It's incredible how many people mess it up and don't realize it, simply because developers still aren't accustomed to good typography on web pages.
[+] hndl|12 years ago|reply
Can you elaborate what you mean by "load and reference each weight in your stylesheet" for us who aren't CSS savvy?
[+] bbx|12 years ago|reply
Designing a font is one of the few things on my "bucket list" (designing a Linux desktop environment being another one). But it being quite the undertaking, I end up relying upon fonts I find while browsing the web (I keep a list of the best-looking/most useful ones).

Typekit and Google Web Fonts really changed the state of font usage in web design. We're not restricted anymore by a fixed amount of fonts, nor have to rely upon images or weird technologies (remember Cufon?) to display custom fonts. It has its drawbacks (loading time, unreadable thin characters...), but it's overall a great step forward in software-less web design and graphical variety (which in turn improves visual identity).

[+] CGudapati|12 years ago|reply
I used to design typefaces as a hobby. It is not so easy. You might think that your typeface looks fine but some experienced typeface designer will rip your design to pieces saying the bowls are not smooth, the stems are not having consistent thickness etc(he is not wrong. I just didn't have the "eye" for spotting such things).

But as they say, practice makes man perfect. Good Luck.

It takes around 6-7 months to design just a "regular" typeface. Be patient if you ever take this up.

[+] angry-hacker|12 years ago|reply
If you get far with Linux desktop evrioment, let us know. I still haven't found anything decent that doesn't scream it was designed by the same guy whi is also responsible for kernel dev.

Above all i think Linux world needs mire unified ux experience, how its possible with sone many desktop environments out there, I don't know.

[+] Kiro|12 years ago|reply
Is your list available somewhere?
[+] hiphopyo|12 years ago|reply
That made absolutely no sense.
[+] cmiller1|12 years ago|reply
It doesn't say this on the website, but they are releasing this under the Apache license.

I wish they made this more clear from the get go because with all of the formats they are releasing it in as well as the release note on browser compatibility, they are clearly targeting this towards web development.

[+] singlow|12 years ago|reply
If you download it, the license file is in the root of the zip archive.
[+] cies|12 years ago|reply
i was also looking for the "terms of sharing" :)

couldn't find it on the website, so ctrl-f'ed the HN comments...

[+] devindotcom|12 years ago|reply
I'm a bit put off by the "bent-iron" quality of how the curves and straights meet, like this is a type designed to mimic neon signs. There are some nice touches, though. It looks great bold.

That said, having that image with the type super small and basically at the extreme limit of legibility (I can barely read it) I don't think does you a service. Do a nice big species with lots of common use cases! This one looks like mush.

[+] CamperBob2|12 years ago|reply
Agreed on both counts. The 'a' looks particularly awkward.

It's 95% of a really nice font, but that last 5% makes all the difference.

[+] ambiguator|12 years ago|reply
This is basically a less humanistic version of Frutiger. As a designer I find the entire face irksome. The legibility doesn't come close to Adrian Frutiger's namesake.
[+] pekk|12 years ago|reply
Is a designer's taste more important than someone else's?
[+] npizzolato|12 years ago|reply
And this is why I always find font debates useless. I, personally, found the font very legible. In fact, legibility seems like a pretty low bar, so I can't even imagine how one legible font could not come close to the legibility of another font. What makes you say that?
[+] nilsbunger|12 years ago|reply
No @2x image? Seems like it would be helpful if you're trying to highlight a clear, readable typeface. Looks kinda blurry on my retina MBP.
[+] clarle|12 years ago|reply
For anyone like me that was wondering about the open source license they were using, it's licensed under the Apache License 2.0 (so it's GPL-compatible).
[+] pseut|12 years ago|reply
Was that anywhere on the website? I had to download the font to figure out its license.
[+] Geee|12 years ago|reply
The 'Nokia Pure' is one of the best (if not the best, IMO) of the modern sans types. Pretty unique but very clean. It's used on their website (as Windows Phones use Segoe UI), and apparently on the new Android phone too (notice the 'g'), for example: http://www.nokia.com/global/products/phone/nokia-xl/

I'm just hoping that someone would make a similar but open-source version of it. :)

[+] abrowne|12 years ago|reply
I love Nokia Pure too. It looks great on their website and on the Asha phone I've used. The 4 is great.

For personal use, Nokia did post a version with Klingon character support (in addition to Latin) on their design blog for April Fools last year: https://assetportal.nokia.com/blog/view/item24419/

[+] leobelle|12 years ago|reply
I'm not a font specialists, but those I's seem to have serifs [1], and mixing serif with non-serif kind of irks me.

https://en.wikipedia.org/wiki/I#Forms_and_variants

[+] aidos|12 years ago|reply
Genuine question, does it matter? I, for one, am enjoying being able to distinguish a capital I from a lowercase l :)
[+] crystaln|12 years ago|reply
It irks you because of some design principle you read somewhere, or because it's actually a problem.

This is true of many fonts, and is a rational choice.

[+] PhasmaFelis|12 years ago|reply
Thank God for that, and I wish it was a universal standard. Fonts where you can't tell the difference between capital eye, lowercase ell, and numeral one are a pain in the ass. Improving legibility doesn't violate the purity of sans-serif.
[+] Mithaldu|12 years ago|reply
The font doesn't have hinting and ends up looking not very good at small sizes.
[+] rjd|12 years ago|reply
I agree, I can't read the text without my glasses on.

In comparison from the same distance and size I can read almost every other font I encounter on the web.

[+] gcp|12 years ago|reply
Are you using Chrome?
[+] telvda|12 years ago|reply
I was hopping this would be a new monospace font considering it's on the front page. It's okay, but there are much better open source fonts out there.
[+] telvda|12 years ago|reply
Also, for something that's emphasizing thin weight only the bold weight has italics? What's with that?
[+] lifeformed|12 years ago|reply
Why can't I click on the specimen and view it in full size? :(
[+] satellitecat|12 years ago|reply
I was expecting a transparent/invisible font.. Disappointed.
[+] slowernet|12 years ago|reply
Note that the included webfont variants have fairly enormous filesizes (WOFFs: 120K+, SVG: 1.2M+).

Quickly running the .ttf through FontSquirrel at default settings produced versions several times smaller (caveat lector, not sure what glyphs are being stripped out, etc.)

[+] degenerate|12 years ago|reply
Can you elaborate on this? (do you know why running it through FontSquirrel results in smaller sizes?)
[+] th3byrdm4n|12 years ago|reply
I find it difficult to read @ size 14. My eyes don't like how thin/compressed the letters are, but maybe it's just too early on Oahu.