I studied Cope's book and synthetic music in college.
His Chopin pieces on the surface kind of sound like a Chopin piece, but when you look at the underlying forms the complexity just isn't there. Musicologists can consistently identify the synthetic pieces.
It was kind of clear that these songs were modeled off of specific previously written songs. The Bach sounded a lot like Invention 8, Beethoven's and his Sonata, Joplin and Maple leaf rag.
[+] [-] nswanberg|16 years ago|reply
http://www.npr.org/templates/story/story.php?storyId=1137194...
It's funny that All Things Considered, not ArsTechnica or singularityhub, included a little detail that will amuse some HN readers:
RAZ: What exactly is Emily Howell, and how does she, it work?
Prof. COPE: Well, that could be a very long answer, but simply put, it's a computer program I've written in the computer programming language LISP.
[+] [-] bhousel|16 years ago|reply
I think the Chopin one is eerily good.. Perhaps there's an uncanny valley for music too?
[+] [-] jpwagner|16 years ago|reply
His Chopin pieces on the surface kind of sound like a Chopin piece, but when you look at the underlying forms the complexity just isn't there. Musicologists can consistently identify the synthetic pieces.
[+] [-] mleonhard|16 years ago|reply
[+] [-] grosales|16 years ago|reply
http://www.wnyc.org/shows/radiolab/episodes/2006/04/21
[+] [-] tpyo|16 years ago|reply
[+] [-] johnfn|16 years ago|reply
[+] [-] andreyf|16 years ago|reply
[+] [-] bkovitz|16 years ago|reply
[+] [-] wallflower|16 years ago|reply
http://tones.wolfram.com/
[+] [-] biohacker42|16 years ago|reply