It's even worse if the sound is going through a digital (VOIP / cell phone) system. Most modern codecs for voice are using some form of Linear Predictive Coding[1] (e.g. ACELPC) which is basically modeling sound as a resonator at the bottom of a tube with a filter bank (sortof like your voice box). With voice, this is a reasonably good approximation, and the codecs are aggressively tuned to be efficient at that. But if full-band music gets piped through it will sound roughly like that music is being produced by a flapping plosive at the bottom of a long tube.[1] https://en.wikipedia.org/wiki/Linear_predictive_coding
spdustin|11 years ago
What an exceptionally colorful description of the effects of that type of codec! Well done.
I wonder if there are applications for psychoacoustic modeling approaches for safety/compulsory announcements. Can they be encoded in a different way before broadcast on the PA to take advantage of our perception of human speech? And possible a different codec still for users of headphones?
Or perhaps a quick, sharp attention tone before urgent broadcasts, but for non safety/compulsory announcements, a lower volume setting...