As I mentioned in the other thread re: Beggar's Group, the 3 months free streaming is likely to represent a significant financial hardship to indie labels. Since everyone with an iTunes account gets free Apple Music for 3 months, you can expect that sales on iTunes will plummet during that period.
While the major labels can weather the resulting loss of revenue, losing a significant number of your sales from the world's largest music store for a full quarter is likely to put some indie labels and artists in a position where they're unable to pay their bills. Apple Music's impact will likely ripple out to sales at other stores, too, which will worsen its impact on revenues. And while artists can at least fall back on touring revenue, small labels don't have that option.
I can see why labels and artists are upset. Apple Music's free trial may very well have a ruinous effect on their livelihoods.
How is this any different than Youtube? I was at a party last weekend, and the host had their PS3 setup to stream a youtube stream from anyone who connected via their WiFi. Basically anyone at the party connected to their Wireless Lan was instantly authenticated to add music (it was pretty slick). Everything I tried (including all the artists like Taylor Swift who had dropped spotify) had pretty much all their music there. everything seems to be there. When I asked how much this cost, given that it was also showing videos, the answer I got was, "It's all free, man!"
Everyone talks about rdio, spotify, upcoming apple music, etc... But Youtube already seems to have unlimited free streaming of music + videos, with what appears to be universal selection.
I'm sorry, but if you can't survive, as a band, for 3 months by playing live gigs or temporarily getting a different job, then maybe....it was never meant to be?
Don't get me wrong, I don't want to listen to Taylor Swift and Jason Derulo all day long either, but if some indie band is so obscure and hip that it can't pay the bills for 3 months....I dunno....maybe they were never that good?
No band deserves some kind of regular income. Nobody does, in our society.
If I listen to your stuff for 3 months, for free, and like it, why would I stop after my trial expires? Heck, with a free trial, I'm more likely to discover your hip obscure super-cool indie band and more likely to support them later.
One other big point that iOS users don't have the same freedom of choosing other merchants to purchase music on their devices. Purchases made and downloads made in iOS from 3rd party services are not added to your music library to play, unlike Android where any app can add music to your library and any app can play it. So, any band/label deciding to remove their music from iTunes because they'd rather not forgo a full quarter of revenue will lose out on a good percentage of iOS users.
Well, this is a new development. I will state that my personal experience is different than what is claimed here. With the distribution service I pay for / use, Apple Music was an "opt-in" service. My music can be on iTunes or Apple Music, or both. Different releases can be categorized as I see fit, at least for now.
So, I'm not sure the claim of "will remove bands" is entirely accurate. They might remove Brian Jonestown Massacre, but I'd like to have a good look at the contract they have with their record label, and the label has with Apple, before I expand such a claim. Maybe Newcombe doesn't know that it's a bargaining position between his label (or affiliated labels) and Apple...because while he's obviously really, really mad, I'm unsure if I believe his situation is entirely representative of the entire sphere of musicians out to make some money in this arena. In other words, maybe he signed a bad contract and should go yell at the mirror for a little while just to be fair.
While I'm on this soapbox, I'd also like to point out that unless Newcombe has a contractual obligation to his label to have music on iTunes, then pack up and leave. Go join TIDAL on principle. Or, even more to his point about wanting to get paid, go exclusively with Bandcamp and set the sales price to $50 per track. Take a stand, show the world - actions speak louder than words is an old but good expression for cases like this.
Again, unless the contract he/they signed handcuffs their decision making, there are a lot of options other than ranting at a behemoth retailer with a significant market share. Do I work for Apple or even use iTunes personally? Nope. Do I like getting pennies from Spotify versus some pretty decent revenue from iTunes or Amazon? Not particularly. I've marched down my own path as an independent who doesn't make a living in music, mostly because I've never wanted to try making a living in music. It's a ridiculously hard industry, and I dislike living in poverty quite a bit.
It will be interesting to see what the 'investigations' turn up regarding Apple's negotiating tactics and behavior during this process. Many people understand they're sitting on a giant pile of off-shore, un-taxed cash...and believe the company could pay artists / labels / meat popsicles like me for every listener's 3 months worth of royalties without a catastrophic impact to its business. But, like with those billions of dollars, I'm also aware that Apple's mentality seems to be "We don't want to pay, and if we don't have to pay, we won't pay." I don't like it, but I'm not remotely surprised by it.
It's simple. Apple wants to launch with a credible claim of "all iTunes music" in their service. So they really really want you to agree, and probably make block deals with labels (who generally control streaming rights).
A band like Brian Jonestown Massacre might control all or most of their streaming rights. The band is only important to Apple if they are helping Apple's marketing for Apple Music.
It's heavy handed, but it's typical Apple: unless you are a huge partner, you have to sign up for the whole enchilada, no piecemealy crap. Hanging back a few months to ride the future success of Apple Music's marketing plan without being a part of the marketing effort? That doesn't really seem fair either.
Apple has no time for hesitant minor partners. You're either in, or you're out.
Unfortunate comparisons to George Bush and Heidi Klum are unfortunate.
They already have a 'yes' from the big labels. The big labels probably look at 3 months of no revenue from Apple streaming as a storm they can weather on the way to bigger profits from Apple Music in the long term. Smaller labels are more likely to be sensitive to temporary lapses in income.
If consumers buy directly from artists they love (wherever possible), that can help too. Didn't Louis C.K, Aziz Ansari etc sell their work themselves? May be this will work in music too?
One difference is, even if they did, the bands can have their music available on other services within Android that can download music right into their music library on their phone/tablet. Apple purposely disallows 3rd party apps from adding music to the iOS music library.
Headline is false. Apple will remove bands from iTunes if they don't offer a free trial.
As for this being a 'threat'. It's clearly not - it's a mutual disagreement. The statement could just as easily be 'some bands abandon iTunes because they don't want to give free trials'
So, Apple wants to promote its new streaming service using musicians' music for free, and threatens to to remove them from a different platform, iTunes, if they don't comply. Still pretty bullshit.
The story is that they are leveraging their position as a platform to enforce new terms. This is the kind of sharp practise people complained about with 'the big 5' record labels using their collective monopoly over distribution and can be seen as a form of bait and switch.
[+] [-] w4|10 years ago|reply
While the major labels can weather the resulting loss of revenue, losing a significant number of your sales from the world's largest music store for a full quarter is likely to put some indie labels and artists in a position where they're unable to pay their bills. Apple Music's impact will likely ripple out to sales at other stores, too, which will worsen its impact on revenues. And while artists can at least fall back on touring revenue, small labels don't have that option.
I can see why labels and artists are upset. Apple Music's free trial may very well have a ruinous effect on their livelihoods.
[+] [-] ghshephard|10 years ago|reply
Everyone talks about rdio, spotify, upcoming apple music, etc... But Youtube already seems to have unlimited free streaming of music + videos, with what appears to be universal selection.
[+] [-] quesera|10 years ago|reply
Total streaming revenue might realistically drop by 30-50%, assuming a large fraction of Spotify etc users cancel while Apple Music is free.
Catalog sales will take a hit too, a large hit for iTunes sales. Probably less for other channels.
And artists with new records coming out now will likely take the biggest hit. On the other hand, no one releases records in the summer.
October begins the new indie release year, so maybe the timing is almost as good as it could be.
[+] [-] dreamfactory2|10 years ago|reply
[+] [-] PopsiclePete|10 years ago|reply
Don't get me wrong, I don't want to listen to Taylor Swift and Jason Derulo all day long either, but if some indie band is so obscure and hip that it can't pay the bills for 3 months....I dunno....maybe they were never that good?
No band deserves some kind of regular income. Nobody does, in our society.
If I listen to your stuff for 3 months, for free, and like it, why would I stop after my trial expires? Heck, with a free trial, I'm more likely to discover your hip obscure super-cool indie band and more likely to support them later.
[+] [-] meesterdude|10 years ago|reply
[+] [-] happyscrappy|10 years ago|reply
[+] [-] JohnTHaller|10 years ago|reply
[+] [-] 6stringmerc|10 years ago|reply
So, I'm not sure the claim of "will remove bands" is entirely accurate. They might remove Brian Jonestown Massacre, but I'd like to have a good look at the contract they have with their record label, and the label has with Apple, before I expand such a claim. Maybe Newcombe doesn't know that it's a bargaining position between his label (or affiliated labels) and Apple...because while he's obviously really, really mad, I'm unsure if I believe his situation is entirely representative of the entire sphere of musicians out to make some money in this arena. In other words, maybe he signed a bad contract and should go yell at the mirror for a little while just to be fair.
While I'm on this soapbox, I'd also like to point out that unless Newcombe has a contractual obligation to his label to have music on iTunes, then pack up and leave. Go join TIDAL on principle. Or, even more to his point about wanting to get paid, go exclusively with Bandcamp and set the sales price to $50 per track. Take a stand, show the world - actions speak louder than words is an old but good expression for cases like this.
Again, unless the contract he/they signed handcuffs their decision making, there are a lot of options other than ranting at a behemoth retailer with a significant market share. Do I work for Apple or even use iTunes personally? Nope. Do I like getting pennies from Spotify versus some pretty decent revenue from iTunes or Amazon? Not particularly. I've marched down my own path as an independent who doesn't make a living in music, mostly because I've never wanted to try making a living in music. It's a ridiculously hard industry, and I dislike living in poverty quite a bit.
It will be interesting to see what the 'investigations' turn up regarding Apple's negotiating tactics and behavior during this process. Many people understand they're sitting on a giant pile of off-shore, un-taxed cash...and believe the company could pay artists / labels / meat popsicles like me for every listener's 3 months worth of royalties without a catastrophic impact to its business. But, like with those billions of dollars, I'm also aware that Apple's mentality seems to be "We don't want to pay, and if we don't have to pay, we won't pay." I don't like it, but I'm not remotely surprised by it.
[+] [-] quesera|10 years ago|reply
A band like Brian Jonestown Massacre might control all or most of their streaming rights. The band is only important to Apple if they are helping Apple's marketing for Apple Music.
It's heavy handed, but it's typical Apple: unless you are a huge partner, you have to sign up for the whole enchilada, no piecemealy crap. Hanging back a few months to ride the future success of Apple Music's marketing plan without being a part of the marketing effort? That doesn't really seem fair either.
Apple has no time for hesitant minor partners. You're either in, or you're out.
Unfortunate comparisons to George Bush and Heidi Klum are unfortunate.
[+] [-] bakhy|10 years ago|reply
does this constitute a basis for suing Apple under anti-monopoly laws?
[+] [-] gress|10 years ago|reply
Apple's music licenses do not prevent artists or labels from selling their music elsewhere.
What Apple does own is its own platform.
[+] [-] Aloha|10 years ago|reply
[+] [-] unknown|10 years ago|reply
[deleted]
[+] [-] ekanes|10 years ago|reply
[+] [-] feld|10 years ago|reply
Seems simple enough.
[+] [-] a2tech|10 years ago|reply
[+] [-] vijayr|10 years ago|reply
[+] [-] PublicEnemy111|10 years ago|reply
[+] [-] JohnTHaller|10 years ago|reply
[+] [-] gress|10 years ago|reply
As for this being a 'threat'. It's clearly not - it's a mutual disagreement. The statement could just as easily be 'some bands abandon iTunes because they don't want to give free trials'
[+] [-] ta92929|10 years ago|reply
[+] [-] dreamfactory2|10 years ago|reply